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Nicolas DionDarcin - Castor Volant [pan039] (June 28, 2009)

something has gone horribly wrong 8-p
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We are proud to announce an event that is definitely cause for celebration, the release of Castor Volant, marking the eagerly awaited return of Darcin to Panospria. Back in 2006 we released his acclaimed debut, Parc, which has been one of the most popular in our catalog ever since.

This audio is part of the collection: Panospria
It also belongs to collection: Netlabels

Artist/Composer: Nicolas Dion
Date: 2009-06-28
Keywords: Electronic; Ambient; Minimal; Drone; Experimental

Creative Commons license: Attribution-NonCommercial-NoDerivs 2.5 Canada

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Castor Volant 474.8 KB 
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Bonus Piano 26.3 KB 
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Bonus Process 399.2 KB 
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pan039_files.xml Metadata [file] 
pan039_meta.xml Metadata 1.2 KB 
pan039_reviews.xml Metadata 2.3 KB 
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pan039_archive.torrent 13.2 KB 

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Reviewer: kh4n - 4.00 out of 5 stars4.00 out of 5 stars4.00 out of 5 stars4.00 out of 5 stars - July 31, 2009
Subject: reviews from Yamanote Dreams and Disquiet
3 beautiful ambient/experimental tracks by Darcin...

Trois morceaux ambient de Darcin, qui nous aideront a quitter les basfonds de nos societes, ce tiers monde de l'âme, cette boue merdeuse sur laquelle nous avons pousse sans une tache, tels le lotus sur la fange des marais... etc...


Listen through the noise. Listen through, as if trying to see something hinted at off in the distance, through fences and trees, past throngs of people, well after dark. There’s something out there, for certain. And there’s something in here, here being the title cut of Castor Volant (by Darcin, born Nicolas Dion), a half hour of pixel sludge — and that’s a compliment, for the effort required to make something this thick and threatening out of something so infinitesimal as digital pulses — buried within which are fragments of melody. The melody arrives as brief snippets of what sound like backward-masked riffs, tense little moments that embody hesitation. Not only are they brief and quiet, but the backward sound has this nostalgic tinge. Toward the end of the half-hour-plus “Castor Volant,” the foreground noise recedes, giving those little rifflets a few minutes for the listener to get full sense of their fragile beauty.

The second track is tough listening for an altogether different reason. It’s titled “Bonus Piano,” that piano — really piano by association, more like little individual synthesized tones — is rarely heard for more than a handful of quick notes at a time, before deep silence intercedes. This proceeds for over 10 minutes, during which the smattering of notes takes on the feeling of some indiscernible message.

Closing track “Bonus Process” is a slow-dawn drone, like a church organist has gone Zen, and is just digging the sine waves of a single held chord.

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